References

References.
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Brommer B., J De Bolle, P Hughes, L. Pollet, F. Sorber and A. Verhecken (1994). Rediscovery of Pre-Columbian Textiles. 159p. Lamandart Publishers, Belgium. ISBN 90-5276-008-X.

Browne D.M., H. Silverman, and R. Garcia (1993). A Cache of 48 Nasca Trophy Heads From Cerro Carapo, Peru. Latin American Antiquity, 4(3), pp.274-294.

Cartwright M.(2014). Nazca Civilization. Available at: https://www.ancient.eu/Nazca_Civilization/

Dyer, M. A. (1996). Threads of Time: Technique, Structure and Iconography in an Embroided Mantle from Paracas. Thesis, Virginia Commonwealth University, 92p.

Fux P. (2011). The petroglyphs of chichictara, Palpa, Peru. Documentation and interpretation using terrestrial laser scanning and image-based 3D modeling. https://www.researchgate.net/publication/305880841_The_Petroglyphs_of_Chichictara_Palpa_Peru_Documentation_and_interpretation_using_terrestrial_laser_scanning_and_image-based_3D_modeling

Gilbert M. (2008). “Cahuachi: Interpretations on Function in Nasca Society.” C.S.U.D.H. Electronic Student Journal of Anthropology Vol. 8:22-43. Available at:
https://www.csudh.edu/Assets/csudh-sites/…/esjoafall2008.pdf

Ghose T.(2015). Mysterious Nazca line geoglyphs formed ancient pilgrimage route. https://www.livescience.com/50699-nasca-lines-ritual-procession.html

Grün A. and K. Lambers(2001). The geoglyphs of Nasca: 3D recording and analysis with modern digital technologies. Available at: https://www.scribd.com/document/113551532/THE-GEOGLYPHS-OF-NASCA-3-D-RECORDINGAND-ANALYSIS-WITH-MODERN-DIGITAL-TECHNOLOGIES-Armin-GRUN-Karsten-LAMBERS

Grün A., S. Bär and S. Beutner(2000). Signals in the sand: 3D recording and visualization of the Nasca Geoglyphs. Available at: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.490.1447&rep=rep1&type=pdf

Hall S.S. ( 2010). Spirits in the Sand, The ancient Nasca lines of Peru sheld their secrets. https://www.nationalgeographic.com/magazine/2010/03/nasca-lines-peru/

Hanzalová K. and K. Pavelka (2013). Map of Nasca Geoglyphs. Available at: https://www.researchgate.net/publication/274675984_MAP_OF_NASCA_GEOGLYPHS

Hecht N. (2013). A Relative Sequence of Nasca Style Pottery from Palpa, Peru. Inaugural Dissertation. Vol.1: Tekst. Private Publication. Available at: http://hss.ulb.uni-bonn.de/2013/2992/2992-1.pdf

Isla J. and M. Reindel(2005). New Studies on the Settlements and Geoglyphs in Palpa, Peru. Andean Past: Vol.7, Article 8, pp. 57-92. Available at: http://digitalcommons.library.umaine.edu/andean_past/vol7/iss1/8

Isla J. and M. Reindel(2006). Burial patterns and sociopolitical organization in Nasca 5 society. https://www.researchgate.net/publication/226923989_Burial_Patterns_and_Sociopolitical_Organization_in_Nasca_5_Society/link/0c96052e7d4675ec64000000/download

King, S.L.(2013). Painted Discourses: Livid Experience in the Nasca Visual System. Theses and Dissertations. Paper 709, 74p. Avaialble at: https://dc.uwm.edu/cgi/viewcontent.cgi?article=1714&context=etd

Knudson K.J., S.R. Wiliams, R. Osborn, K. Forgey and P.R. Williams (2009). The geograhic origins of Nasca trophy heads using strontium, oxygen, and carbon isotope data. J. of Anthropological Archaeology 28: 244-257. Available at: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.572.1585&rep=rep1&type=pdf

Klokocnik J., K. Pavelka, J. Sonnek and K. Hanzalova (2016). Hypotheses about Geoglyphs at Nasca, Peru: New Discoveries. Available at: https://ojs.cvut.cz/ojs/index.php/gi/article/view/gi.15.1.7

Lambers K.(2004) The Geoglyphs of Palpa (Peru): Documentation, Analysis, and Interpretation. Thesis University of Zurich. p.204. Available at: https://www.researchgate.net/publication/34911528_The_Geoglyphs_of_Palpa_Peru_documentation_analysis_and_interpretation

Lambers K. and M. Sauerbier (2007). A fresh view on the Nasca Lines: Investigating geoglyph visibility in Palpa (Ica, Peru). Conference paper, Conference: 34th International Conference on Computer Applications and Quantitative Methods in Archaeology (CAA), Fargo, United States, April 2006, At 215-225, Volume: Digital discovery: exploring new frontiers in human heritage. pp. 228 -238.

Llanos Jacinto O.D.(2010). Cahuachi: residencia y paisaje sacralizado de un centro politico nazca. Revista española de antropología americana, 40(1), pp.27-51. Available at: https://halshs.archives-ouvertes.fr/halshs-00487497/document

Lasaponara R., A. Masini and G. Orefici (eds, 2016). The Ancient Nasca World. New Insights from Science and Archaeology. 670p, Springer, Berlin.

Mandal D. (2018). Previously unknown geoglyphs near Nazca identified via drone-taken photographs. https://www.realmofhistory.com/2018/04/10/unknown-nazca-lines-identified-drone/

Martin L. (1991). The Paracas Textile (Gallery brochure). Brooklyn, NY: The Brooklyn Museum.

Mujica E. y J. Isla (1996). Nasca: Hombres, Dioses y Colores del Desierto. Nasca, pp.13 -32. Santiago, Museo Chileno de Arte Precolombino. Available at: https://www.academia.edu/19596820/MUJICA_Elias_y_Johny_ISLA_1996_Nasca_hombres_dioses_y_colores_del_desierto_

Nieves A. (2007). Between the River and the Pampa: A Contextual Approach to the Rock Art of the Nasca Valley (Grande River System, Department of Ica,Peru). Dissertation. University of Texas atAustin. 344p.

Nieves A.(2009). More Than Meets the Eye: A Study of Two Nasca Motifs. Andean Past: Vol. 9 , Article 13. Available at: https://digitalcommons.library.umaine.edu/andean_past/vol9/iss1/13

Paul A (2007). Diversity and Virtuosity in Early Nasca Fabrics. Andean Past: Vol. 8 , Article 20. Available at: https://digitalcommons.library.umaine.edu/cgi/viewcontent.cgi?referer=https://www.google.com/&httpsredir=1&article=1138&context=andean_past

Proulx D.A. (1994). Stylistic variation in proliferous Nasca Pottery. Andean Past 4:91-107. Available at: https://people.umass.edu/proulx/online_pubs/Stylistic_Variation_in_Proliferous.pdf

Proulx D.A.(2001). Ritual Uses of Trophy Heads in Ancient Nasca Society. Available at: https://people.umass.edu/proulx/online_pubs/Ritual_Uses_of_Trophy_Heads_Texas.pdf

Proulx D.A. (2006). A Sourcebook of Nasca Ceramic Iconography. Reading a culture through its arts. University of Iowa Press. p.235.

Proulx D.A. (2007). Nasca Ceramic Iconography: An Overview. The Studio Potter 29(1): 37-43. Available at: https://people.umass.edu/proulx/online_pubs/Nasca_Ceramic_Iconography_Overview.pdf

Proulx D.A.(2007). The Nasca Culture: An Introduction. Originally published in German in: Nasca: Geheimnisvolle Zeichen im Alten Peru, Edited by Judith Rickenbach, Pp. 59-77. Zürich: Museum Rietberg Zürich, 1999. There are no modifications to the text but the illustrations were augmented 2007. Available at: https://people.umass.edu/proulx/online_pubs/Nasca_Overview_Zurich.pdf

Reindel M. and A. Gruen(2006). The Nasca-Palpa Project: a cooperative approach of photogrammetry, archaeometry and archaeology. Available at: https://www.academia.edu/15276996/_The_Nasca-Palpa_Project_a_cooperative_approach_of_archaeology_archaeometry_and_photogrammetry_in_Recording_Modeling_and_Visualization_of_Cultural_Heritage_

Reinhard J.(1987). The Nazca Lines, A New Perspective on their Origin and Meaning . 78p. Available at: https://www.researchgate.net/publication/241340072_The_Nazca_lines_A_new_perspective_on_their_origin_and_meaning

Rink W.J. and J. Bartoll(2005). Dating the geometric Nasca lines in the Peruvian desert. Antiquity 79: 390-401. Available at: https://www.researchgate.net/publication/41373828_Dating_the_geometric_Nasca_lines_in_the_Peruvian_desert

Sauerbier M. and K. Lambers (2003). A 3D model of the Nasca lines at Palpa (Peru). Available at: http://e-collection.library.ethz.ch/eserv/eth:26689/eth-26689-01.pdf

Schreiber K.J. and J. L. Rojas (1995). The Puquios of Nasca. Latin American Antiquity, 6(3), pp. 229-254.

Silverman H.(1988). Cahuachi: Non-Urban Cultural Complexity on the South Coast of Peru. Journal of Field Archaeology, Vol.15, pp. 403-430. Available at: https://www.researchgate.net/publication/233505543_Cahuachi_Non-Urban_Cultural_Complexity_on_the_South_Coast_of_Peru

Silverman H. (2002).` Ancient Nasca Settlement and Society. University of Iowa Press. 202 p.

Smith S.C.(2012). Generative Landscapes: The Step Mountain Motif in Tiwanaku Iconography. Ancient America No.12: 1-69. Available at: http://www.academia.edu/8793904/Generative_Landscapes_The_Step_Mountain_Motif_in_Tiwanaku_Iconography

Sparavigna A.C.(2012). Maria Reiche’s Line to Aschaeoastronomy. Available at: https://www.researchgate.net/publication/231582239_Maria_Reiche’s_Line_to_Archaeoastronomy

Stöllner T., M. Reindel, G. Gassman, B. Gräfingholt and J. Isla Cuadrado (2013). Precolumbian Raw-Material Exploitation in Southern Peru-Structures and Perspectives. Chungara, Revista de Antropología Chilena, Vol45, No1, pp.105-129.Available at: http://www.chungara.cl/Vols/2013/45-1/Stollner_et_al_45-1-2013.pdf

Townsend R.F. (2014). Deciphering the Nazca World: Ceramic Images from Ancient Peru. Museum Studies 11(2), pp. 116-139. Art Institute of Chicago. Available at: http://www.latinamericanstudies.org/nazca/nasca-ceramics.pdf

Other Resources.
1.Topographic maps:
https://elevationmap.net/tunga-nazca-pe-1006362951
https://mapcarta.com/pt/20209172

2.Climate info Nazca: meteoblue:
https://www.meteoblue.com/nl/weer/voorspelling/modelclimate/nazca_peru_3934356

3.Sky maps Nazca (TAU Astronomy Club):
http://astroclub.tau.ac.il/skymaps/monthly/index.php

4.Latin American Studies:
http://www.latinamericanstudies.org/

5.Homepage Donald Proulx.
https://people.umass.edu/proulx/index.html

6.Association “Dr. Maria Reiche” – Academy of Sciences Dresden.
https://www2.htw-dresden.de/~nazca/Englisch/

7.FAMSI (Foundation Fort he Advancement of Mesoamerican Studies Inc).
Christiane Clados – Nasca Drawings Collection.
http://www.famsi.org/research/nasca/nasca1.html

8.Arcana Factor – Nazca Project- Igor Alekseev, december 2010.
http://www.arcanafactor.org/en/our-projects/nazca/81-nazca-geoglyphs

9. Wikipedia. https://en.wikipedia.org/wiki/Nazca_Lines

http://www.conhecimentohoje.com.br/Recentes692_Anexo01.htm